
Leon
Hicks
(b. 1933)
Black Boy
1961
etching
18 x 10 inches
signed, titled, and dated, with artist proof
Photo credit: Venvi Art Gallery, Tallahassee, FL
Selected Exhibitions
11 Black Printmakers, Fine Arts Building, Spelman College, Atlanta, GA
Blacks: USA: 1973; New York Cultural Center, NY, 1973
Black Untitled III: Graphics; Oakland Museum of Art, CA, 1973
Leon Hicks, Acts of Art, Inc., NY, 1974
Migrations; Howard University Gallery of Art, Washington, DC, 1978
Impressions/Expressions: Black American Graphics; Studio Museum in Harlem, NY, 1980
“Art is an intellectual endeavor. It is the affairs of the mind and imaginations that reconcile art. The skills needed, honed and developed in the pursuit of art, real art, begin in the mind and then subsequently become technique. In almost 90 years of life I have concluded that the single most important word for the process of art is serendipity, and I believe my work to be serendipitous.”
An acclaimed engraver and draughtsman, Leon Hicks is known for his portraits and exploration of everyday life. Since the 1960s, Mr. Hicks has distinguished himself as both an artist and an educator. He emerged during the Black Arts Movement of the 1960s, producing powerful images rooted in self-discovery and social consciousness. He received his bachelor’s degree in art sculpture at the University of Kansas, then went to the University of Iowa for his M.A in art history and M.F.A in printmaking. By the late 1970s, he was preoccupied with autonomous form and giving his full attention to investigating the language of engraving. Throughout his career, Mr. Hicks has remained a committed student of art history, learning and mastering engraving techniques pioneered by giants like Albrecht Dürer (1471-1528), Rembrandt Harmenszoon van Rijn (1606-1669), and Mauricio Lasansky (b.1914), with whom he studied at the University of Iowa. Hicks taught at Concord University, WV; Lehigh University, PA; and Webster University until his retirement in 1999.
His prints have been included in many exhibitions, including Impressions Expressions: Black American Graphics at the Smithsonian Institution and the Studio Museum in Harlem. An edition of the work, Black Boy, was featured in the exhibition titled Leon Hicks: The Ingenious Line, organized by Fisk University in 2012. The National Gallery of Art, Washington DC, has two of his engravings in their permanent collection, Little Bird and Apogee.
Engraving VI: #1
1986
engraving
17-1/2 x 24 inches (image), full margins
signed, titled, and dated, with artist proof
Engraving VII: 1/2/3/4
1983-1985
engraving on paper
17-1/2 x 24 inches (image), full margins
signed, titled, dated, and numbered, artist proof, 2nd state, 1985
Engraving XII: #1
1987
engraving on paper
15-3/4 x 24 inches (image), full margins
signed, titled, and dated, with artist proof